īorn in 1955, Jean-Luc Moulène studied aesthetics and the sciences of art at the Sorbonne University in Paris. Special thanks to Galerie Chantal Crousel, Thomas Dane Gallery, and Galerie Greta Meert. Additional support has come from Étant donnés: The French-American Fund for Contemporary Art (a program of FACE), Cesar Cervantes, Aaron and Barbara Levine, Lisa Schiff, and the New York State Council on the Arts, a State agency. Opus + One is made possible by Dia’s Commissioning Committee: Jill and Peter Kraus, Leslie and Mac McQuown, Genny and Selmo Nissenbaum, and Liz Gerring Radke and Kirk August Radke. Jean-Luc Moulène in conversation with Yasmil Raymond Walk-through of Opus + One with Yasmil RaymondĪrtists on Artists Lecture at Dia:Chelsea Perspectives from the Curator at Dia:Beacon Writers include art historians Briony Fer and Thomas McDonough, author and curator Corinne Diserens, poet Manuel Joseph, author and artist Jalal Toufic, exhibition curator Yasmil Raymond, and Dia director Philippe Vergne. A diverse group of authors will address specific subjects in Moulène’s work through fiction, nonfiction, and art historical texts. Opus + One will be accompanied by a concurrent presentation of newly commissioned wall objects that will be shown in the Dan Flavin Art Institute’s special exhibition gallery.Ī major publication designed by Marc Touitou will be made in conjunction with Opus + One. It also follows the commissioning of major new works shown at Dia:Beacon by Vera Lutter (2005–06) An-My Lê (2006-08) Tacita Dean (2008) Zoe Leonard (2008–11) and Koo Jeong A (2010–11). It continues in the spirit of the program presented by Dia in New York City from 1987–2004, and projects by artists including: Robert Gober (1992–93) Katarina Fritsch (1993–94) Jessica Stockholder (1995–96) Thomas Schütte (1998–99) Rosemarie Trockel (2002–04) and Pierre Huyghe (2003–04), among others. The suffix, “ + One” comes from the notation of recurrence in mathematics, yet it also reflects Moulène’s interest in the idioms of advertising and capitalist tactics, as well as his conception of the viewer as a hypothetical consumer.ĭia’s exhibition advances its legacy of commissioning projects and exhibitions from midcareer artists that encourage significant explorations in new directions within the artist’s practice. The exhibition title derives from the Latin word Opus, which Moulène designates as the encompassing term for his three-dimensional work. It will also include a massive new sculpture, Body (2011) which was shown for the first time in the Tuileries Gardens, Paris, during FIAC in October of this year. Opus + One unites two bodies of work: thirty-five objects from the ongoing series Opus (1995–present), and the monumental photographic essay La Vigie (2004–2011). A reception for Jean-Luc Moulène will be held at Dia:Beacon on Saturday, December 17, 2011, from 2–4 pm. Organized by Dia curator Yasmil Raymond in collaboration with the artist, the exhibition will be accompanied by a new work commissioned for the Dan Flavin Art Institute, in Bridgehampton, NY, and a major publication. Commissioned by Dia, Opus + One will comprise objects and images created over the past two decades and will be on view at Dia:Beacon, Riggio Galleries, in New York’s Hudson Valley for one year. Dia Art Foundation presents Opus + One, the first museum exhibition in North America devoted to the work of Paris-based artist Jean-Luc Moulène. The wine finishes with fresh acidity and a rich, lingering finish that promises longevity in the cellar.Reception is open to the public, and museum admission is free all day. Silky, fine-grained tannins provide structure and a creamy texture. The entry is vibrant with ripe dark fruit flavours of plum, blackberry and blueberry followed by hints of vanilla and cocoa. Initial dark fruit, spice and baking aromas in the 2015 Opus One are interwoven with seductive notes of violet, black tea, and sage. Dedicated to uncompromised quality, Opus One’s sole purpose is to express this vision and passionate spirit for generations to come. Opus One, like any great work, arose out of passion. By combining the great winemaking traditions and innovations of both families, the founders’ singular goal was to create an exceptional wine in the heart of Napa Valley. Opus One was founded by Baron Philippe de Rothschild, legendary proprietor of Château Mouton Rothschild, and renowned Napa Valley vintner Robert Mondavi.
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